Karin RoddyAustralia

 

 

 

 

 

 

Asylum Seekers           Acrylic on canvas          85CM  X 110CM

 

Born 1943, Schonebeck, East Germany 

Occupation:

Artist and “Women of Leisure”

 

Education:

Karin’s primary and middle education began in Holland.

1956    Karin’s family arrived as migrants to Melbourne in 1956, where

            she completed 2 years at Frankston High School

1959    “Basic Drawing” course, Royal Melbourne Institute of Technology

 

Media:

Mostly acrylics, sometimes oils

 

Experiences related to art:

Recent art demonstrations in Gestural Painting techniques at various Artists’ Societies

 

Honours and awards:

1997  Victorian Artists Society “Undine Award” best oil landscape, awarded by Rick

          Amor

 

 2001  St Kevin’s Art Show, Highly Commended, award by John Dwyer of Christies

 

Solo exhibitions:

2003   Artholes Gallery, Fitzroy, Melbourne

 

Group exhibitions:

A selection from  Melbourne exhibitions: 1997 - 2004

Five Ways Galley: Mt Dandenong

Whitehorse Arts Centre

The Box Hill Community Arts Centre

Victorian Artists’ Society

Rembar Gallerie

Artholes, Fitzroy

 

Important collections:

In many private collections and collected by institutions both in Australia and overseas

 

 

 

Artists’ Statement:

 

The act of painting absorbs, frustrates, intrigues and excites me. My paintings often turn out to be of human figures – mostly mothers and children.

Initially, my work can be described as figurative abstract, though the execution of it is unconventional. Forever experimenting, I have evolved a technique of using small and medium sized rollers, which results in layers of acrylics producing work which features texture as well as colour.

 

“Asylum Seekers” is typical of my work today. The gestural approach incorporates an“automatic” line technique. Though an image comes through, there is no preconceived idea. I develop the image,  and somehow “watch” where is leads.

 

This painting “Asylum Seekers” initially resembled a conventional family group, but as I worked and reworked the image, elements of Middle Eastern costume began to assert themselves, and I ended up with an identifiably immigrant group. Such unfortunate people are a facet of life today that causes us all deep concern for the human condition.