Deanna Ganyu – Australia

Born 1969, Labrador City, Canada

 

 

 

 

 

“The Spirit of our Ancestors”        pastel, collage on paper           54 CM X 74 CM

Occupation:

Artist and Primary Arts Teacher

 

Education:

2002 Certificate in Business Management, Kangan Batman Tafe

1997 Bachelor of Teaching (Hons.): The University of Melbourne

1991 Bachelor of Arts (Visual Arts Hons.): Monash University (Melbourne)

 

Media:

Pastel on paper, acrylic on canvas, batik, fabric ink on cloth

 

Experiences related to art:

2000-2001    Board Member: Multicultural Arts Victoria

Arts Teacher (primary/secondary)

Arts Co-ordinator: Community art projects cross-cultural arts consultant: Melbourne University, Victorian University (VUT), Private Schools etc.

 

Honours and awards:

1996 Manuel Gelman Award for Teaching Excellence: The University of Melbourne

 

Solo Exhibitions:

1992  ‘She is the tree of life’ series: WHISE, Frankston (Victoria)

 

Group Exhibitions:

Numerous painting, textile and works on paper exhibitions, including;

2004  ‘Origins and Scatterings’ Span Gallery, Melbourne

2002  ‘Lost and Found’ Touring exhibition for AMEF

1999  ‘Regroup’: Footscray Community Arts Centre, Footscray

1997  ‘African Traditional Craft Project’: Meat Market Craft Centre, North Melbourne

1996  ‘African Communities Cultural Festival’: Bank Street, South Melbourne

1994  ‘Racism/Sexism: intersection of issues of race, culture and gender’: Chinese

           Cultural Centre, Vancouver, Canada

1994  ‘Changing Reality, Changing Perception’: Heritage Arts Complex, Vancouver

1994  ‘The Overseas League’ AMP Building, Melbourne

1994  ‘Images of Women’ – Opening of Women’s Health in the South East in Frankston

 

Important collections:

Women’s Health in the South East

Multicultural Education Foundation (AMES)

Collected privately.

 

 

 

 

Artists’ Statement:

The ‘Spirit of our Ancestors’ is part of a series of works exploring my African and Australian origins.

 

Integrating text and image is part of the quest to develop personal history derived from the ancestoral spirit (collective memories). The text explores Australian poetry – the images represent African symbols. The colour explodes to unite the common and disparate elements.

 

My migration involves the journey to represent self, family and community. Is home part of the fabric where we live or the spirit of our ancestors?