Farimah Eshragi –


Arcade of Memories oil on canvas 40 CM X 50 CM
Born 1956,
Occupation:
Artist/Art Teacher
Education:
1993 Graduate Diploma
of Education:
1994 Certificate of Computer Art: Royal Melbourne Institute of Technology
1974 The Faculty of Discipline in Art, Music, Drama (DAMS): The University of
1972 Diploma: Fine
Arts
Media:
Oil, watercolour, pastel, acrylic, ink, charcoal, pencil, mixed media, experimental materials
Experiences related
to art:
Teaching art since 1992. Commissions, special Portraits. Artist in residence in public schools.
Honours and awards:
2000 Judge for art exhibition: Lilydale Horticultural Agricultural Art Show
1999 Participant: Sulman Prize
1998 ‘People,
Places & Perspectives’-Postcards from
Selection, First Prize; Viewers Choice
1993 Participant: Doug Moran National Portrait Prize
1991-3 Participant: Archibald Prize
1974 First
Prize: International Art gallery,
1969 First
Scholarship Entrant: Faculty of Fine arts,
Solo exhibitions:
1994 Box Hill Community Arts Centre, Box Hill
1989 Dandenong Arts Centre
1989
Overseas:
1984 Casa de la Cultura Ecuadoriana,
1984
1982 L’Ariete Gallery,
1982 Galleria d’ Arte Moderna,
1979 Palazzo del Podesta, Borgo S. Loreuzo
Group exhibitions:
1999/2002 Camberwell Rotary art Show
1999/96 ACAF
1996 Group exhibition: Gallery 101, Melbourne
1992 McCann’s First Contemporary Art Show
1991
Overseas:
1987 San Vitale
Gallery,
1974
1975-79
1973
Important
collections:
Portrait of Beato Angelico, Cathedral of Vicchio,
Represented in private collections in
Artists’ statement:
The human soul is to me a fascinating and mysterious Essence. It can influence our way of thinking and seeing. When I paint a portrait, I often see the soul of whom I am painting and have a better understanding of their feelings. Likewise, my vision of objects and forms around me can take a different meaning and reality, and a metamorphosis takes place. When I saw this old bridge, it brought back to my mind a nostalgic feeling, and many memories came back in my mind. I could see a face becoming more and more clear, the stones and bricks transforming into parts of a human figure which represented the humanity as a whole.
“The Wayfarer …looketh on all things with the eye of
oneness” (