Sandra Angliss –
Born 1960,
Mordialloc, Melbourne


“Mother and Child – Box Hill” glazed earthenware, oil paint
& toys 53 cm X 30 cm x 20 cm
(approx)
Occupation:
Mother/artist/teacher/community arts worker
Education:
2002 Bachelor of Teaching (Primary & Secondary),
1992 Bachelor of Education (Visual Arts),
1988 Bachelor of Arts (Painting and Printmaking), Royal Melbourne Institute of
Technology,
1984-1990 Private art lessons, Margery Hummel Bennett
Media:
Mixed media, painting, printmaking, ceramics, ceramic murals etc.
Experiences relating
to art:
2003/2004 Chair, INWAA-Australia inc. & INWAC member (since 1999)
1998 Etchings for “The Lightmaster” poetry book (poems by Michael Crane, Published by Phoebe Publishing, Mt Evelyn, Victoria)
1996 Conservatory of Fine Arts,
1995 – 2004 City of
Since 1989 - Employed as a community
teacher/artist by a variety of local councils and schools in
Solo Exhibitions:
1998 “The Lightmaster”, etchings,
Art at Linden Gate Gallery,
1998 “The Lightmaster”, etchings,
Greenaway Gallery, Camberwell,
1995 “Personae” The Box Hill community Arts Centre, Box Hill, Melbourne
Group Exhibitions:
1985 – 2004 Numerous group exhibitions, both in
2002 ‘Her Presence in Colours V – International Women’s art Towards a Sustainable
Environment’,
Clock Tower Gallery, Northern
2000 ‘Conflux’, New International Bookshop, Trades Hall,
1999 ‘Poetica and Symbols’ Goya Gallery, Fitzroy
1999 ‘Her Presence in Colours IV – International Women Artists’ Exhibition’, Marsi
Gallery,
1998 ‘Her Presence in
Colours III – International Women Artists’ Exhibition’,
State Art
1998 ‘The Journey Within – Experiences with Cancer’,
1997 ‘Cancer the Journey’ Anti-cancer Council’s touring exhibition through numerous
Victorian Regional galleries
1997 ‘Cancer – the Journey’, Vic Health Access Gallery,
National Gallery of
Important
Collections:
Box Hill Community Arts Centre and collected privately
Artists’ statement:
“Mother and Child – Box Hill” began as an exploration of the mother-child relationship. I started this sculpture as a way of relieving post-natal depression – the flip-side to the ‘high’ of becoming a mother. It took many months to create – I started with the feet (houses) and worked my way up her body, by the time I created her spiky hair-do I was feeling much better; it is as though through using my hands and my imagination I had re-built some new strength within, and I was able move on psychologically. Family, children, community and creativity are all close to my heart.